{"id":70,"date":"2013-12-02T21:16:59","date_gmt":"2013-12-02T21:16:59","guid":{"rendered":"https:\/\/www.angelaholdsworth.com\/?page_id=70"},"modified":"2016-09-26T12:22:39","modified_gmt":"2016-09-26T12:22:39","slug":"television","status":"publish","type":"page","link":"https:\/\/www.angelaholdsworth.com\/?page_id=70","title":{"rendered":"Television"},"content":{"rendered":"
As \u00a0Producer\/Director for the BBC<\/strong><\/span><\/h5>\n
\"Transplant_mini\"<\/a>

Transplant<\/strong><\/p><\/div>\n

Man Alive: So \u2026 You Don\u2019t Want a Baby (1979)<\/strong>
\nWith the recent rise in birth-rates, a look at contraception including controversial compulsory sterilisation<\/p>\n

Man Alive: Juries On Trial (1980)<\/strong>
\nIs our jury system fair? Who picks the juries?<\/p>\n

Man Alive: Transplant (1980)<\/strong>
\nAs transplants become more common, \u00a0an investigation into the shortage of vital organs.\u00a0<\/strong><\/p>\n

Man Alive: Who Wants a Gold Watch Anyway\u00a0 (1980)<\/strong>
\nThe ups and downs of retirement.<\/p>\n

\"The<\/a>

The Shipbuilders<\/strong><\/p><\/div>\n

\"Juries<\/a>

Juries on Trial<\/p><\/div>\n

Man Alive: Fighting for Time (1981)
\n<\/strong>An investigation into the\u00a0British way of\u00a0 coping with a death sentence<\/p>\n

Man Alive: Medicine of Miracle (1981)<\/strong>
\nExtraordinary stories of surviving a terminal prognosis<\/p>\n

Man Alive: Vital Statistics (1981)<\/strong>
\nA breast implant and a breast reduction. Two tales of cosmetic surgery<\/p>\n

 <\/p>\n

All Our Working Lives: The Shipbuilders (1984)<\/strong>
\nThe history of shipbuilding<\/p>\n

\"Cotton<\/a>

Cotton People<\/strong><\/p><\/div>\n

All Our Working Lives: Cotton People (1984)
\n<\/em><\/strong>The history of the cotton industry<\/p>\n

All Our Working Lives: Scientific Change (1984)<\/strong>
\nThe history of the chemical industry<\/p>\n

All Our Working Lives: Hindsight (1984)<\/strong>
\nCharting the changes in British industry in the twentieth century<\/p>\n

Now the War is Over: Goodbye to All That (1985)<\/strong>
\nAftermath of the second world war and hopes for the future<\/p>\n

Now the War is Over: A Home of Our Own (1985)<\/strong>
\nSquatters, prefabs, new flats \u2013 how the nation coped with homelessness
\n<\/em><\/p>\n

\"Now<\/a>40 Minutes:\u00a0 Come Home, Julie (1986)<\/strong>
\nA young Ghanaian girl returns to the foster parents she was snatched from 10 years ago.<\/p>\n

Voices from the Doll\u2019s House: Bella the Welder (1989)<\/strong>
\nA young woman\u2019s struggle to get accepted in the men\u2019s world of welding (link)<\/a><\/p>\n

Voices from the Doll\u2019s House: Victoria the Suffragette (1989)<\/strong>
\nThe story of a militant suffragette.<\/p>\n

\"Girl<\/a>

Sybil the girl guide<\/strong><\/p><\/div>\n

Voices from the Doll\u2019s House: Dorothy the Graduate (1989)<\/strong>
\nBlazing the trail of women at university<\/p>\n

Voices from the Doll\u2019s House: Sybil the Girl Guide (1989)<\/strong>
\nMemories of the early days of \u2018scouting for girls\u2019 (link)<\/a><\/p>\n

\"Portrait<\/a>

Simon Wiesenthal<\/strong><\/p><\/div>\n

Portrait: Simon Wiesenthal (1989)<\/strong>
\nThe story behind Simon Wiesenthal\u2019s relentless hunting down of the men who carried out the holocaust<\/p>\n

The People\u2019s Century: 1924 \u2013 On the Line (1995)
\n<\/strong>Mass production forever alters the lives of workers and consumers<\/p>\n

The People\u2019s Century: 1968 \u2013 New Release (1996)<\/strong>
\nA new generation challenges the Establishment<\/p>\n

<\/h3>\n
As Series Producer\/Executive Producer for the BBC
\n<\/strong><\/span><\/h5>\n

Now The War is Over (1985) series of eight documentaries<\/strong>\"2009-04-29<\/a><\/strong>
\nEight documentaries on rebuilding Britain after the war.<\/p>\n

\"Labours<\/a><\/strong><\/p>\n

Out of the Doll\u2019s House (1988) series of eight documentaries<\/strong>
\nThe story of women in the\u00a0twentieth century<\/p>\n

Labours of Eve (1995) series of six documentaries<\/strong>
\nSix documentaries about individual \u00a0women\u2019s extraordinary experiences of childbirth<\/p>\n

 <\/p>\n

A Pocketful of Posies (2001)\"A<\/a><\/strong>
\nChildhood at the beginning of the twentieth century.<\/p>\n

<\/h5>\n
As Editor for the BBC<\/strong><\/span><\/h5>\n

<\/h4>\n

\"Crimewatch\"<\/a>Crimewatch UK (1990)<\/strong>
\nA weekly programme reconstructing unsolved major crimes in the hope of \u00a0gaining information from the public<\/p>\n

Taking Liberties (1990)<\/strong>
\nReports on people whose lives have been shattered \u00a0by injustice or misfortune<\/p>\n

Rough Justice (1990)<\/strong>
\nInvestigations of miscarriage of justice<\/p>\n

As Producer for the European Commission<\/strong><\/span><\/h5>\n

The Glass Ceiling Breakers (1992)<\/strong>
\nA pan-European look at how women combine success and motherhood<\/p>\n

As Producer and Writer for Channel 4\"The<\/a><\/strong><\/span><\/h5>\n

 <\/p>\n

Secret History: The People\u2019s Duchess (1999)
\n<\/em><\/strong>A profile of Georgiana, the most glamorous and influential woman of \u00a0her day, a feisty ancestor of Diana, Princess of Wales. (link)<\/a><\/p>\n

\u00a0<\/span><\/strong><\/h2>\n
As Series Producer\/Executive Producer for Channel 4<\/strong><\/span><\/h5>\n

 <\/p>\n

\"Sex<\/a><\/strong><\/p>\n

Sex Bomb (1998) series of four documentaries\"Green<\/a><\/strong>
\nA four-part \u00a0history of the sexual revolution<\/p>\n

Green & Pleasant Land (1998) series of six documentaries<\/strong>
\nSix documentaries on life in the countryside in the last century<\/p>\n

Witness: Satanic Crimes (2000)
\n<\/strong>An investigation of occult crimes in South Africa<\/p>\n

\"And<\/a>

WITNESS<\/p><\/div>\n

Witness: And God Created Netball (2000)<\/strong>
\nInsight\u00a0into the lives of orthodox jewish women.<\/p>\n

\"Satanic<\/a><\/strong><\/p>\n

Secret History: Wallis Simpson: The Demonised Duchess (2001)<\/strong>
\nA profile of the woman for whom the King gave up his throne<\/p>\n

Lock Up Your Daughters (2001)<\/strong>
\nThe complex sexual world of teenage girls.<\/p>\n

Celebrity Blind Man\u2019s Buff (2001)<\/strong>
\nThree celebrities experience \u00a0the daily challenges which confront the blind.<\/p>\n

\"Angela<\/a>

Celebrity Blind Man’s Buff<\/p><\/div>\n

Raising Tennis Aces: The Williams Story (2001)<\/strong>
\nA profile of Serena and Venus Williams<\/p>\n

As Consultant for Testimony Films<\/strong><\/span><\/h5>\n

What did you do in the Great War Daddy? (BBC4 2007)
\n<\/strong>The effect of the loss of their fathers on the children of the Great War\u00a0(link)<\/a><\/p>\n

\"Lock<\/a><\/em><\/strong><\/p>\n

A Century of Fatherhood (BBC4 2010)
\n<\/strong>The changing role of the father\u00a0(link)<\/a><\/p>\n

The\u00a0<\/strong>Grammar School: A Secret History (BBC4 2012)
\n<\/strong>The rise and fall of the grammar school\"Angela<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

<\/h5>\n
Most Recent Work:<\/strong><\/span><\/h5>\n

Executive Producer of Bastards (2013) a feature documentary<\/strong><\/p>\n

The inspiring battle of a single mother to get her child\u2019s rights recognised (link)<\/a><\/p>\n

\"bastards2\"<\/a><\/p>\n

Welsh Women of World War One (BBC) 2016\u00a0(link)<\/a><\/b><\/p>\n

\"welsh-women\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

As \u00a0Producer\/Director for the BBC Man Alive: So \u2026 You Don\u2019t Want a Baby (1979) With the recent rise in birth-rates, a look at contraception including controversial compulsory sterilisation Man Alive: Juries On Trial (1980) Is our jury system fair?…<\/span><\/p>\n

Read more ›<\/a><\/div>\n

<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"full-width-page.php","meta":{"footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/pages\/70"}],"collection":[{"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=70"}],"version-history":[{"count":1,"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions"}],"predecessor-version":[{"id":631,"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions\/631"}],"wp:attachment":[{"href":"https:\/\/www.angelaholdsworth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}